Behringer x32 logic pro x free download.Logic recording entire live show using x32


Behringer x32 logic pro x free download.X32 Edit – In Depth With Behringer’s Powerful X32 Edit Software


Apple Footer.logic pro x and Behringer X32 – Apple Community


Jul 23,  · Question: Q: logic pro x and Behringer X I’m just startign to work with DAW’s and I want to know if the Behringer X32 will work with Logic pro X before I purchase it. More Less. MacBook Pro, OS X Mountain Lion () Posted on Jul 24, AM. Apr 27,  · How to setup Logic Pro X to be controlled by the Behringer X Behringer Knowledge Base: Apr 28,  · I want to try recording my bands entire live show (or at least set 1) for the first time. My setup-. Interface: Behringer x32 Producer USB 16 Channels (All I need) Computer: Early Macbook Pro 15 i7 2ghz. Installed gb SSD for OS and placed gb Hard drive in optical bay ( RPM) Recording: Logic Pro X.


Behringer x32 logic pro x free download.X32 Edit – In Depth With Behringer’s Powerful X32 Edit Software – Survive The Gig

May 11,  · X32 Edit is a free download from the Behringer site and is helpful for a few different reasons. The most obvious is setting up Scene Files that you can load on a USB drive and then load on the console when you are onsite so you don’t have to start from scratch when you are at the ted Reading Time: 9 mins. May 12,  · Link to Logic Templates: to setup the Behringer X32 with Logic Pro on the Mac. This guide will also generally work with most mo. Apr 28,  · I want to try recording my bands entire live show (or at least set 1) for the first time. My setup-. Interface: Behringer x32 Producer USB 16 Channels (All I need) Computer: Early Macbook Pro 15 i7 2ghz. Installed gb SSD for OS and placed gb Hard drive in optical bay ( RPM) Recording: Logic Pro X.

All replies
Logic recording entire live show using x32 | Fractal Audio Systems Forum

Mixer Overview

X32 Edit is a free download from the Behringer site and is helpful for a few different reasons. The 2nd use is that you can create presets for channels, routing, and effects that you can use when you build Scenes in the future. The third use for the software can be remotely controlling a console. They all can be controlled by a computer setup remotely and not requiring a router.

The earlier version of the software was better for this because it was laid out the same as the console. The more recent versions are visually cleaner and more appealing, but not laid out in the same way as the console. Find the version to download in the software dropdown menu on the right side of the webpage. This is where you can find firmware downloads as well. When you open the program you get an overview of the mixer.

This view shows an overview of the individual channel settings, sends, dynamics, eq, and pan. Selecting the Channel Tab gives us a more in depth overview of one individual channel.

This makes it easy to see how the channel is setup and shows all of the information you would need for an individual channel.

The Config Tab shows information about the pre-amp , source , and insert of a channel. The Gate Tab shows the settings for the Gate. All of the controls for the dynamics section are shown, and like the gate tab they are all available at once.

On the X32 console you would have to page up and down at the bottom of the Dynamics tab to see all of the controls and probably would miss or forget about some of the controls like the Mix level. There is also a button to activate auto-release for the compressor. The button directly below that will activate or bypass the high pass filter. The mode for each band of the eq has a drop down menu to select the different modes available. You can also grab and drag the circles on the screen that correspond to the eq frequencies and drag the frequency higher or lower or drag the gain higher or lower.

The sends can be set up in 6 different ways similar to how the sends to the X-USB card is set up. This is recommended for Mixbuses feeding floor monitors when you are mixing monitors from FOH. This way you can use the dynamics for your FOH mix without reducing your gain before feedback in the monitor.

Pre Fader — This send is after the Dynamics section but before the Fader. This would be used if wanted to feed the bus after the dynamics section but before the Fader. Post Fader — This is used when you are feeding monitors from a dedicated monitor mixing console. In this instance you would leave all of your channel faders at unity and they would act as masters for that send. Any adjustment on the fader would affect the level sent to the sends.

This is helpful if there is feedback on a channel you can bring that channel down in all of the mixes just enough to stop the feedback. It also can be helpful to bring a soloist up some in all of the mixes. In the example below, the first 8 mixes are setup as monitor sends.

The first 4 are post eq , are post fader , are subgroups , and are post fader effects sends. The Main Output Tab Shows how the main send for the channel is setup. The FX Tab shows the first four effects slots. From this tab we can change the type of effect and the routing source that feeds into the effect. There is also a bypass for each effect.

They are permanently set up to return to the four stereo effects returns. In order to set these inserts for FX4 in the picture above you go to the Config Tab of the channel or other source you want to insert it on.

See below:. In the example above the insert is set for Channel 3. You could set the insert to be another effect from here. The effects bank for FX is setup differently than FX These effects can only be Insert Effects. The drop down menu for routing will let you directly select the source point without having to go into the Config Page of the source to connect it. The second selection, shown below, shows channel as well as the eight DCA s,. The first six faders are the Aux inputs.

Faders seven and eight are the 2 track recorder from the top mounted USB Drive. Then there are the four stereo FX Returns. The last four faders on this bank show the faders for the four effects sends. Lastly, there are two user fader banks, which would be helpful if you are using the X32 Edit app to control the mixer remotely. The user banks are not included on the console.

Routing the console is another area where the X32 Edit app excels. It gives you a nice grid where you can quickly see everything and click to select where you want to route your inputs and outputs. Routing on the X32 is all done in Banks of Eight Channels.

Firmware Version 4. The first Routing Tab shows Inputs. This first example is the most basic setup. It routes channels one-to-one with physical inputs on the back of the console.

This is another common X32 setup. In this example there is a 16 channel stage box on stage. This stage box feeds the first 16 channels. This example uses the physical inputs to route to channel inputs If using an X32 Compact or Rack , you would need to use at least one AES device to get more the 16 physical input channels. In that case you could route the S16 Stagebox to Input which would look the same as the below picture , and then route the physical console inputs Local to Channel This could be used for a virtual soundcheck or possibly a show with backing tracks, both fed from a computer.

This setting makes it possible to quickly switch between two preset banks of inputs. It would be possible to quickly switch between show routing and virtual soundcheck in a live situation, or between input monitoring and playback in a recording setup. Below you can see that the Orange Routing Blobs correspond to the active routing selections, the grey blobs show the routing selections of the alternate setting.

On the X32 you can switch between the Play and Record input sets on the bottom right if the Input Block section. You highlight the alternating settings and depress the encoder to switch between the two. See below to see how it looks on the console running Firmware Version 4. The X-Live card includes the ability to automatically switch between the input presets when selecting record or playback mode on the Card Tab.

Each set can be remapped in three ways, to Aux , Aux , Aux In the case of the first two sets, the remainder remain routed to the physical Aux Ins. Using the new User In Routing Bank you could send a mixture of channels but all of the Aux In remaps are limited to the first 6 inputs in their set, making the User In Bank useful to get around this limitation. Aux In Remapping is helpful when you want to bring in tracks from a computer we will have an in depth article about this in the future , or if you have 32 channels of stageboxes and need more channels.

Aux In — The physical Aux Inputs located on the back of the console. User — User Input Bank 1 channel This is where you select the routing blocks that will go to the physical console outputs. What goes into those routing blocks is set in the next tab and is not limited to blocks of four. These are not the physical outputs on the console but where we assign what source goes to each of the routing blocks. Each output gives us an option for where the Output Tap Point comes from.

This is separate and not to be confused with the Sends Tap Points. The Sends Tap Points are where a channel sends to the individual sends. The below example is all Post Fader , but the options are:. No processing except Low Cut if available. For instance muting Mixbus 1 will mute the output to Output 1. Pre Fader — Send is before the fader but after all of the channel processing.

In this example the fader would not change the signal being sent to the output. Post Fader — This send is after the fader and is effected by everything before it including the fader. This tab is where a delay can be set for the different outputs. The green button shows that the delay is active. The delay bar is dragged upwards to set the delay time. This is where the physical Aux Outputs on the back of the console are routed.

Below they are set as inserts that would be used to place an external insert effect into the insert point in a channel or bus on the console.

This has many different uses, but essentially gives 16 sends that are separate from the 16 output sends configured previously. This is not the same as having additional buses, but sends can be made off of the same Mixbus at a different Tap Point, or totally different sources, like Direct Outputs. In the example below, P16 are direct outs from channels This is one way to set up the Behringer P16 Personal Mixer so a musician onstage could adjust their own mix from the direct outs.